GOTTFRIED HAIDER: Hotglue on Dat workshop at Our Networks (Toronto
Gottfried Haider: Hotglue on Dat workshop at Our Networks (Toronto, 9/21)
UCLA DMA alumnus Gottfried Haider (MFA'13) is giving a workshop on building decentralized websites using a purpose-built version of the "Hotglue" site-building software. For more information please go to the website.
CARLOS GARCIA a member of Complex Movements announced as 2019/2022 Haas Institute Artists in Residence
The Haas Institute is thrilled to announce that Complex Movements will be our Artist in Residence for the 19/20 academic year. The Detroit-based artist collective was chosen out of over 150 applicants for its unique practice of using art and culture to hold together the fabric of communities in the face of systems of othering.
JOHANNA DRUCKER and Anna Wolfe-Pauly
WHO: Johanna Drucker and Anna Wolfe-Pauly
WHERE: Poetic Research Bureau, 951 Chung King Road Los Angeles
TIME: Doors open 7:30, Reading 8:00
Free and open to the public.
REBECA MENDEZ wins Lucas Artists Fellows award 2019-2022
SARATOGA, Calif. — Montalvo Arts Center’s Sally and Don Lucas Artists Program is proud to announce its most recent Lucas Artists Fellowship awards to 33 artists of exceptional talent from across the US and the world. This distinguished group includes individuals from 16 countries working in the fields of visual arts, architecture, urbanism, and design. This includes visual arts media such as drawing, painting, sculpture, architecture, photography, film, design, and printmaking, as well as artists working in the fields of performance, social practice, and sound art. These Fellows were born or reside in the following countries: the United States, Japan, the Netherlands, Mexico, India, South Africa, Argentina, South Korea, Spain, Bangladesh, Guatemala, Taiwan, the Philippines, Italy, Venezuela, and England.
Every three years, by discipline, the Lucas Artists Program (LAP) invites a distinguished panel of international nominators to identify up to three emerging, mid-career, or established artists who have the potential to become significant voices of their generation. These artists then pass through a highly selective jury process. Each artist selected is awarded three months in the Lucas Artists Residency over three years, with the ability to return multiple times. Lucas Artists Fellows are also welcomed to bring collaborators into residence with them. This represents significant ongoing support for an artist’s work over a three-year period.
Located within a 175-acre public park and historic property in the heart of the Silicon Valley in California, the Lucas Artists Program (LAP) is an interdisciplinary creative incubator and cultural producer dedicated to investing in artists from all disciplines and geographical locations and to supporting the creative process and sharing of ideas. The LAP provides artists with time and space to develop new work, take risks, and forge collaborative partnerships. The LAP also supports artists as they engage the community in critical conversation through the creation and presentation of new work and varied public program offerings. This approach is grounded in Montalvo’s belief that artists’ voices enrich our world and serve as a catalyst for debate about issues important to us all.
Montalvo houses the oldest artist residency program on the West Coast of the US, hosting artists since 1939. The new LAP facility at Montalvo was inaugurated in late 2004 and has hosted over 1,000 artists from more than thirty countries since its opening. The LAP’s campus comprises 11 free-standing, state-of-the-art artist studios and residence spaces designed by artist-and-architect collaborative teams, and a Commons and Library. As part of this selection, Montalvo inaugurates a new residency fellowship in collaboration with Santa Clara University, through the generous support of Charmaine and Dan Warmenhoven. The first Fellow of this collaboration is Los Angeles-based multidisciplinary artist Rafa Esparza.
“The Lucas Artists Residency Program is the soul of Montalvo,” said Executive Director Angela McConnell. “It is one of the key ways in which we reaffirm our mission to engage the community in the creative process and has gained us international recognition as a creative incubator and a model of curatorial practice.”
Sally and Don Lucas Artists Program Director Kelly Sicat said, “We look forward to welcoming this truly remarkable group of artists into the creative community of the Lucas Artists Program. We are honored to have the opportunity to support their practice in such an incredible facility, and to be able to share their work with the greater Silicon Valley community.”
The 2019 Visual Arts jury has awarded Lucas Artists Visual Arts Fellowships to the following artists: Indira Allegra, Ali Asgar (Tara), Chloë Bass, Lex Brown, Rashayla Brown, Jonathan Calm, Bethany Collins, Stephanie Dinkins, Rafa Esparza, Óscar Farfán, Alicia Framis, Ann Hamilton, Annie Han and Daniel Mihalyo (Lead Pencil Studio), Maria Hupfield, Sohrab Hura, Xandra Ibarra, Meiro Koizumi, Fabio Lattanzi Antinori, Francisco López, Rebeca Méndez, Ranu Mukherjee, Wawi Navarroza, Alison O'Daniel, Jenny Odell, Anila Quayyum Agha, Paul Rucker, Jimena Sarno, Elisa Silva, Penny Siopis, Tina Takemoto, Lava Thomas, Kuang-Yu Tsui and Jenifer Wofford.
Congratulations to REFIK ANADOL on his art commission for CARB
CARB Public Art Program Announces Artists
The California Air Resources Board relocates; initiates largest public art program addressing climate change in the world
The California Air Resources Board (CARB) and Dyson & Womack announce six artists commissioned for the permanent public art collection at the new CARB Southern California Campus located in Riverside, California. The commissioned artists are Allora & Calzadilla, Refik Anadol, Kameelah Janan Rasheed, Noé Montes, Andrea Polli, and Tomás Saraceno. The public art program will include the world’s largest permanent collection of artworks addressing air quality and the effects of climate change. The state of the art, zero-emissions building is slated to open in late 2021 and common areas with public art will be open to the public.
Dyson & Womack, art consultants for the California Air Resources Board Public Art Program, oversee the public art allowance of $2,421,200. The project’s impact will reach beyond the Riverside campus offering continued engagement for the local community, CARB’s global audience and the public at large. The new facility will host a public art program comprised of six permanent artworks and a program of arts engagement supporting local partnerships and educational programs. The chosen artists were selected through an intensive application process focused on sustainability and equity.
Congratulations to CHRISTINA "PHAZERO" CURLEE for joining Insomniac Games
This Fall, Christina "Phazero" Curlee will be joining Insomniac Games in Burbank,CA as a Full-time Game Designer. Insomniac Games is best known for their games Spyro the Dragon, Ratchet and Clank, Sunset Overdrive, and the fastest selling Playstation game of all time, Spiderman Ps4.
Note from Phaz: Please reach out if you are a student and have any questions about joining the game industry my email address is PhazeroGames@gmail.com
No Time to Waste is an exhibition organized by Counterforce Lab and Rebeca Mendez
THE FUTURE IS HERE
An interactive Design Forum
A Week of Events
August 27—September 1, 2019
Opening Reception: Tuesday, August 27, 7–10pm
Join TOUCH at FAB-gallery on August 27 to Sept 1st for a gathering of visionary thinkers, entrepreneurs, designers, culture makers, and change agents coming together to share the wisdom of social and environmental responsibility and take tangible action on some of the most important subjects of our time.
2001 Main Street, Santa Monica, CA 90405
Free and open to the public
No Time to Waste is an exhibition organized by Counterforce Lab displaying work from UCLA professor Rebeca Méndez’s ‘Word + Image’ course. Students documented their waste for seven days and executed projects based on the following ethos of a sustainable lifestyle: REFUSE, REDUCE, REUSE, REPURPOSE, RECYCLE and ROT. Working in collaboration with the UCLA Zero Waste Initiative, students visited the school’s waste facilities and performed a waste audit of Powell Library. The collected material was then processed and produced into sculptures, posters and books.
Featuring works by the following students:
Hikaru Bakoshi, Celynne Ianne, Wonho Lee, Marisa Ling, Karina Lopez, Koby Otsuka, Stefanie Tam.
The Counterforce Lab is an initiative by Professor Rebeca Méndez based in the Design Media Arts department at UCLA. The lab is a research and fieldwork studio that is dedicated to applying art and design in new collaborations, fields of study, and methods in order to research and develop projects that investigate and mitigate the social and ecological concerns of an era marked by human activity being the dominant agent in climate change and environmental destruction.
For more information:
THEO TRIANTAFYLLIDIS solo show Pastoral at Eduardo Secci, Florence IY
As the summer is getting hot, I am excited to announce Pastoral, a solo show at Eduardo Secci Contemporary, in Florence, Italy curated by Swan Station (Luca Pozzi). The gallery, housed in the 14th century Palazzo Ricasoli, will be filled with hay and lit by a simulated sunset. A new woven tapestry piece Self Portrait (Reclining Ork) will be presented together with a playable version of Pastoral a new short video game that will simultaneously be released online. Opens September 14th, thru November 16th.
ERKKI HUHTAMO Panelist at Siggraph 2019
Professor Erkki Huhtamo speaks in panel at Siggraph 2019, the 46th International Conference & Exhibition on Computer Graphics & Interactive Techniques, held at the Los Angeles Convention Center in Downtown LA.
The panel, titled "AI in the Arts and Design: Evolution of 'Artistic Intelligence' or Rupture," takes place on Tuesday, July 30, 2019, at 1pm-2pm. Venue: Experience Presentation Theater, South Hall J .
JOHANNA HEDVA performs Black Moon Lilith in Pisces in the 4th House at the ICA London
Black Moon Lilith in Pisces in the 4th House will be at the ICA London, Sunday, August 4, 16:00, as part of I, I, I, I, I, I, I, Kathy Acker.
Click here for tickets and accessibility information.
Black Moon Lilith is a performance of guitar and voice which is at once a mystical grief ritual and droned-out metal concert that summons the holy spirit. Informed by Korean shamanist ritual and the tradition of P’ansori singing (which demands rehearsal next to waterfalls in order to ravage the vocal cords), the performance is also mothered by the work of musicians Keiji Haino and Diamanda Galás.
This performance is specifically for the faint of heart. It will be loud AF and swimming in tears.
“Johanna Hedva ghosted after building a droning crescendo in the finale of Black Moon Lilith, leaving the audience in the collective discomfort of loud sound and powerful vibration. Their music was an alchemical transmutation of chronic pain, trauma, and death that had more than one audience member nodding along in recognition.”
“Johanna Hedva’s crooning, mournful solo guitar and vocals set brought to mind an observation by Eva Feder Kittay: All bodies are only ‘temporarily abled.’ The performance brought forward our shared vulnerability to sickness, and eventually death, by closing the gap between disabled and nondisabled bodies.”
KRISTIN McWHARTER has teaching position in Chicago at SAIC
Kristin is very excited to announce that she has accepted a teaching position in the Art & Technology Studies program at SAIC.
REBECA MENDEZ's Ascent of Weavers IN 2019 LA Latino International Film Festival
Rebeca Méndez's Ascent of Weavers in the 2019 Los Angeles Latino International Film festival (LALIFF)
Sunday, August 4 at 5:30 pm
TCL Chinese Theaters, #6, Hollywood, California.
By Rebeca Méndez with the Hernández-Quero Family
For a world facing social and environmental crises, Ascent of Weavers is a call for awakening and action for collective healing of the earth. Entities of white, red, blue, and black embody cycles of the sun, the heavens, and the underworld and directions of human life in pre-Hispanic Zapotec civilization. The entities undertake a journey into Mictlan (Lyobaa in Zapotec)—the underworld of the Mixtec mythology—aided by Xolotl (a canine god), who leads them through the underworld’s nine levels. Here they are challenged by piercing winds and crushing mountains, finally crossing rivers of blood to emerge as goddesses of weaving (Tlazolteotl, or Nohuichana in Zapotec)—warriors leading us to a more just, equitable, and sustainable relationship with our planet.
The program is free and open to the public and followed by a Q&A.
Ascent of Weavers / Ascenso de Tejedoras, 2018
3-channel video installation, color, sound. 31:19 minutes.
Installation view at the Museum of Contemporary Art, Oaxaca, 2018–19.
NOVA JIANG in group show, "Topian Gardens" AT LTD
The garden serves as a model of the topian, a space that contains within it both the potential for nonexistent perfection that runs parallel to reality, as well as the horrors of rampant overgrowth and choked out suns. Human intervention, curation and aestheticization suggest a symbiotic relationship between humanity and nature, but the relationship is one of identity. Humanity is nature.
Representations included in this exhibition range from the technofuturist to the escapist, from the corporeal to the disembodied, and reveal that the lines of delineation between utopia and dystopia are far from easily defined. Yet the garden remains the ideal site, an interactive space in which artistic histories and the natural world converge. Topian Gardens juxtaposes works which affirm our role as gardener to those which negate our very presence, imagining what the unregulated garden could
ltd los angeles @ Gallery Vacancy | Condo Shanghai
Opening Reception | Saturday 13 July 2019
1119 South La Brea Avenue, Los Angeles, CA 90019 | 3
13 July - 24 August 2019
Arocha & Schraenen | Felix Beaudry | Daniel Garcia | Margaret Haines | Salomón Huerta | Nova Jiang | Nik Kosmas | Lesley Moon | Carter Mull | Douglas Rieger | Evie O'Connor | Ben Tong | Marian Tubbs | Faye Wei Wei
ERKKI HUHTAMO Lectures in Korea and Japan
Professor Erkki Huhtamo has traveled to the Far East. He will read a paper at the ISEA 2019 Conference in Gwangju, Korea in a panel on "Media Archaeology linking Asia and Latin America." The panel will take place of June 27, 2019.
After ISEA Huhtamo will give two lectures in Japan. He will speak about Media, Mobilities and Posthuman Culture at Digital Hollywood media school (in Ochanomizu, Tokyo) on July 3, 9pm - 10.30pm.
On July 4, Huhtamo will lecture on "Music and Media Arts" at Nihon University College of Art (Nichigei) at Eked, Tokyo, 4:20pm - 5.30pm
Rebeca Méndez Speaker at Aspen Ideas Festival
Rebeca Méndez Speaker at Aspen Ideas Festival
Restorative Design: Mending Humanity's Relationship with Nature
June 24, 2019. 10:20am. MDT
Aspen Ideas Festival 1: June 23-26, 2019
Restorative Design: Mending Humanity's Relationship with Nature
The threads that connect humans to their natural environments have frayed, and some have completely severed. In an attempt to mend those we still can, designers are forging meaningful connections with nature to make reparations. Their collaborative processes — working with nature and in teams across multiple disciplines — are optimistic, but urgent. In this session, learn how designers engage with the complexities of nature in innovative and groundbreaking ways, driven by a profound awareness of climate change and ecological crises that we face.
Senior Curator, Department of Architecture and Design, Museum of Modern Art, NY
Artist and Designer; Professor, UCLA Department of Design Media Arts, LA
Deputy Director of Curatorial and Head of Textiles, Cooper Hewitt, Smithsonian Design Museum, NY
ERIC FANGHANEL work at The Mexican Center for Culture and Cinematic Arts of the Mexican Consulate in Los Angeles CCCM
Roberta Bárcena, Cultural Manager, Department of Cultural Affairs at the Mexican Consulate in Los Angeles recently introduced us to an art installation by Eric Fanghanel and Parch Es in the CCCM in Los Angeles. The installation challenges the fixed idea of identity and proposes an everchanging, fluid, moving identity in exchange. Below you’ll find her interview with the artists.
The Mexican Center for Culture and Cinematic Arts of the Mexican Consulate in Los Angeles (CCCM)
MEGAN MAY DAALDER Docu Sci-Fi Series, Children of the Singularity
Docu sci-fi Series
CHILDREN OF THE
Screening at NAVEL LA
June 26th, 2019 - 8pm
Children of the Singularity by artist and filmmaker Megan May Daalder is a short documentary series that invites tech-savvy young people to push back against a singular story of “progress.”
At the start of the 21st century, hippies turned Silicon Valley CEOs promised nothing but science-fiction inspired improvements to humankind. Within a decade those promises have lost all credibility, but the resulting technical infrastructure will continue to alter behavior, condition social values, and determine economic survivability for generations. Using sci-fi sensibilities, Children of the Singularity invites its young protagonists to extrapolate on the conditions they are growing into. Through intergenerational dialogues and reflective conversation, each episode opens a larger conversation about interdependence in an era of atomization.
Watch the trailer at https://wehaveseenthefuture.us
Date June 26th, 2019
Time Doors at 8pm, screening begins at 8:30pm
Location NAVEL LA
Address 1611 South Hope Street Los Angeles, CA, USA
In addition to the public screening, Daalder will screen the films in a limited capacity workshop for parent/child duos to prompt intergenerational dialogues about the future. The workshop is appropriate for youth ages 11 and up and is for parents/youth only, signup required.
Date June 23, 2019
Location NAVEL LA, 1611 South Hope Street, Los Angeles, CA, USA
Sign-up for the workshop https://withfriends.co/event/1684679/
BERFIN ATAMAN Metamorphosis; A performance at Soho House Istanbul
Berfin Ataman is delighted to invite you to a second showing of Metamorphosis; A performance, which will take place on the rooftop area of Soho House, Istanbul on the 21st of June.
Metamorphosis is a performative piece displaying the wearable art pieces created by Berfin Ataman. It questions how we approach the nonhuman or rather, the unfamiliar. A masters student in UCLA's Design Media Arts Department, Berfin Ataman designs and creates sensorial experiences. Her work investigates the relationship between humans, movement and space through wearables, installations, and other soft kinetic, sculptures.
This performance is done in collaboration with Arman Ataman (sound design), Canan Sahin (choreography),Gülşah Uzun (make up) and Ece
Yurtcan, Elif Oktay, Hande Özdemir (Performance).
RSVP at email@example.com unless you are already a member of SOHO HOUSE.
Hope to see you there!
NATE MOHLER work reviewed in Daily Bruin
Flashlights will uncover a pattern of animated, distorted glass on a wall of the Broad Art Center.
Using the wall of the main stairwell at the front entrance, Nate Mohler will use three projectors that reveal patterns and animations as the audience interacts with the piece. The fourth-year design media arts student’s project will be a part of the design media arts “Pressed for Space” senior showcase starting Thursday at the Broad Art Center. Inspired by the classes he’s taken on projections and their increasing use in Los Angeles, Mohler said he aims to urge people to recognize projections as an art form.
“My personal draw to projection as art is how much of a delicate experience it is,” Mohler said. “Projection art is temporary in nature, and at some point the light must go out and the building or object will go back to being itself.”
NEIL MENDOZA speaking at BUMP Festival in Belgium
Neil Mendoza’s work combines sculpture, electronics and software to bring inanimate objects and spaces to life. By decontextualizing objects with technology and vice versa, the constituent parts of his work can be looked at in a new ways. Using this medium, he explores themes of the absurd, the humorous, the futile and the surreal.
He has exhibited work and talked at conferences around the world, taught classes on art and technology at UCLA and Stanford and co-founded the art collective “is this good?”.